Abstract

Takatsukasa Seigyoku (b. 1929) is the current abbess of Daihongan convent, which is one of the two administrative heads of the popular Japanese pilgrimage temple Zenkōji. In this paper, I analyze Takatsukasa’s autobiographical materials about her early life, her monastic education, and her scholarly works. Her early life, here defined as the time from her birth until 1979, demonstrates the ways in which she asserted or relaxed control over her life at various times, following her motto “going with the flow and yet controlling the flow.” Her education at the Pure Land Nuns’ Sectarian School brings to light the ways that women come to embody being a nun. Her scholarship demonstrates the ways that biographical narratives can function to create ideals within the monastic community, while at the same time, they place Takatsukasa’s convent and the tradition she is a part of within the larger (mostly male) historic record. I also analyze media accounts about her ordination in 1955. From these accounts we can determine that Japanese society’s views about nuns (and laywomen, as well) in mid-century combined elements of medieval understandings of taking the tonsure as a sad event with twentieth-century discourses that defined women’s roles to be “good wives and wise mothers.” Additionally, we can see how Takatsukasa has reclaimed the narrative of her life through writing autobiographical materials, effectively challenging the interpretations of her life produced in newspapers and magazines.

Highlights

  • As a farewell present from Suenaga [Masao] I received a piece of calligraphy

  • First is Takatsukasa’s own biography, which places her own life in historical context (World War II and the postwar period), shapes her preordination life so that it provides the context for her decision to join Daihongan, her training at the Nuns’ School, and her decision to write scholarly articles

  • By going with the flow and relinquishing control for a time Takatsukasa was able to exert control over her life at appropriate moments. It led her to Daihongan and became her modis operandi at the convent

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Summary

Introduction

As a farewell present from Suenaga [Masao] I received a piece of calligraphy. It said “going with the flow and yet controlling the flow.” 1Suenaga explained it in the following way. Many of these articles make reference to an event that happened a few months prior to Takatsukasa’s ordination, in which a nun at an imperial convent returned to lay life; I discuss this event as it is useful to understanding their representations of Takatsukasa, and in understanding tropes regarding nunhood at the time.

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