Abstract

Conceptual Metaphor Theory developed by Lakoff & Johnson (1980) suggested that we use metaphors to evaluate and communicate in our various environments. Although metaphors encompass a large variety of taxonomies, orientational metaphors are those that rely on spatial position to map concepts into other ones, referring to a relation of valence and verticality. Stated by Kövecses (2010) conceptual metaphors such orientational ones draw ‘upward’ and ‘downward’ spatial positions in which ‘upward’ is usually referred to as having positive connotations, whereby their opposites, ‘downwards’, are understood as negative. This paper seeks to unveil how the orientational metaphor good is up is employed in a filmic narrative of a language learning application for technological devices named Babbel. The present analysis is developed under the application of FILMIP (Filmic Metaphor Identification Procedure, Bort-Mir 2019). In the analyzed narrative, the orientational metaphor good is up is represented in the Babbel TV commercial (2018) as a tool for persuading customers that the best way of escalating positions at work is by learning new languages. This analysis demonstrates how orientational metaphors in multimodal media emerge as a convenient device for marketing campaigns in the context of social status improvement.

Highlights

  • IntroductionMetaphors are defined by different sources, such as the Cambridge Online Dictionary (2018) as “an expression, often found in literature, which describes a person or object by referring to something that is considered to have similar characteristics to that person or object”

  • In light of the results exposed by the analysis of the chosen filmic narrative, it is confirmed that the metaphor good is up is fundamentally found

  • The good is up or bad is down orientational metaphors are found in language and in still pictures and audiovisual materials

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Summary

Introduction

Metaphors are defined by different sources, such as the Cambridge Online Dictionary (2018) as “an expression, often found in literature, which describes a person or object by referring to something that is considered to have similar characteristics to that person or object”. Examples such as the mind is an ocean and the city is a jungle can be observed. What can possibly be the similarity between the mind and an ocean? The definitive response to these inquiries may start considering that metaphors do not Complut. 28 2020: 189-201 only imply similarity amongst things, feelings, or objects at a simple level but that they have an unimaginable quantity of issues to consider, such as which attributes from a concept are mapped onto another concept and which are not and why, or how these mappings are processed in our minds, just to name a few

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