Abstract

The agony in the Garden of Gethsemane (as we usually describe it in English, in typically eclectic fashion, for the agony comes from Luke, the garden from John, and Gethsemane from Mark and Matthew) holds an important place within the Passion narrative. But what is that place? There are strong grounds for holding that the original Passion narrative which lies behind the Marcan and Matthean records began with the arrest of Jesus; the same is probably true of Luke, and very possibly of the Fourth Gospel also. The Gethsemane scene stands outside, or on the fringe of, such primitive Passion narratives, and in certain respects does not accord well with them; it may well be, as Bultmann,2 Kuhn3 and others have supposed, that it was adopted into the Passion narrative at a fairly late stage and inserted between the story of the Last Supper (itself not an integral part of the primitive Passion narrative) and the arrest, If this be so, we must ask to what extent, and in what way, the introduction of the Gethsemane scene into the Passion story and the handling of it within that context reflect the theologies of the evangelists of their immediate predecessors.

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