Genres and Multilingual Contexts: The Translational Culture of Nineteenth-Century Calcutta

Abstract

Nineteenth-century Calcutta has been widely researched to understand its role in the making of a ‘modern’ India. However, the ‘translational’ culture of this period has not received enough attention. The present article traces what it terms Calcutta’s ‘translational culture’ by examining a palimpsest of languages and genres through the mediating role of translation. Nineteenth-century was a time when several languages were competing for space in the making of modern Bengali prose. Most of the writers of the time were negotiating a plural and multilingual domain and experimenting withnew styles of prose and poetry writing. Two such examples can be seen in the works of Michael Madhusudan Dutt (1824 –1873), and Kaliprassana Singha (1841 -1870). These writers were instrumental in the making of new genres and were negotiating multiple languages and linguistic registers that included –Sanskrit, Bengali with its different elite and colloquial registers, English,and several European languages and literatures. In juxtaposing Dutt and Singha, the present article attempts to point towards a parallel history of the nineteenth-century Calcutta traced through moments of transactions, translations,and negotiations among languages, ideas,and world views. Languages and literary genres in this case become a testimony to the rich texture of social and cultural negotiations that went into the making of the modernist Bengali prose and indicative of its palimpsestic and translational nature.