Abstract
Genre and stylistic complex of “Three Pieces in C Major” for piano by M. Karminskyi: compositional and performing aspects
Highlights
In modern musicology, the issues of composer creativity for children are far from enough covered
The analysis of the plays of the cycle presented in the article proves that it is an original work intended, on the one hand, for performance by young pianists; on the other hand, M
According to the style of “Three Pieces in C Major”, they belong to the neoclassical trend, as evidenced by a complex of expressive means: tonality, 2020 ■ Вип
Summary
The issues of composer creativity for children are far from enough covered. This applies to both Ukrainian and foreign musicological literature. Aesthetic issues prevail in studies of children’s piano music, while the issues of composer and performing techniques related to the interpretation of such works become the object of study only occasionally. Still there aren’t special works devoted to piano music for children of Kharkiv authors, and information about this music is dispersed in publications of review or monographic plan, for example, such as the brochure by K. This article proposes the consideration of the cycle (triptych)
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