Abstract

Classical Chinese poetry is a jewel in the treasure house of Chinese culture. Previous poem generation models only allow users to employ keywords to interfere the meaning of generated poems, leaving the dominion of generation to the model. In this paper, we propose a novel task of generating classical Chinese poems from vernacular, which allows users to have more control over the semantic of generated poems. We adapt the approach of unsupervised machine translation (UMT) to our task. We use segmentation-based padding and reinforcement learning to address under-translation and over-translation respectively. According to experiments, our approach significantly improve the perplexity and BLEU compared with typical UMT models. Furthermore, we explored guidelines on how to write the input vernacular to generate better poems. Human evaluation showed our approach can generate high-quality poems which are comparable to amateur poems.

Highlights

  • During thousands of years, millions of classical Chinese poems have been written

  • Inspired by the phrase segmentation schema in classical poems (Ye, 1984), we proposed the method of phrase-segmentation-based padding to handle with under-translation

  • We have the following conclusions: 1) padding better aligns the vernacular paragraph to the poem, it may not improve the quality of the generated poem

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Summary

Introduction

Millions of classical Chinese poems have been written. They contain ancient poets’ emotions such as their appreciation for nature, desiring for freedom and concerns for their countries. Among various types of classical poetry, quatrain poems stand out. Their aestheticism and terseness exhibit unique elegance. On the other hand, composing such poems is extremely challenging due to their phonological, tonal and structural restrictions. Most previous models for generating classical Chinese poems (He et al, 2012; Zhang and Lapata, 2014) are based on limited keywords or characters at fixed positions (e.g., acrostic poems)

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