Gender, race and the ethical praxis of slide guitar

Abstract

This article explores slide guitar as the basis for an ethics of listening. Here, slide guitar serves as a metaphor through which alternative possibilities of hearing, performing, thinking, and living might be explored. By analyzing slide guitar and the particular sonic elements that characterize its tone and techniques of sounding, I argue that sliding—with all of the risks its movement entails—signifies a mode of recursive questioning through which totalizing gestures might be eluded or radically undercut. As a mode of maneuvering that is both interrogative and generative, slide's gestures prompt us to consider the ways in which its poised instability might yield an expanded breadth of critical movement—one whose stakes need to be considered in relation to race and gender's intersectional bearing on its production (or smooth elision) of sonic subjects and objects.