Abstract

Gender-Based Violence (GBV) in South Africa is a post-colonial social ill. Women and young girls suffer double oppression in the country. First, they are oppressed for being women and young girls; and second, they are oppressed for being women and young girls of the lower class. This article aims to utilise one selected isiZulu and isiXhosa drama, respectively, to effectuate a meticulous examination of how and why GBV is a recurring pattern. The ultimate aim is to underline the unprejudiced reality that South African literature (isiZulu and isiXhosa, for example) engages contemporary social ills such as GBV, subordination of women and young girls, gender discrepancies, and neolithic stereotypes. African feminist technique is utilised as a conceptual framework to advance the said aims of the article. In the process, the qualitative research methodology is employed to describe and explain the nature of the data source. The discussions and findings demonstrate that although women and gender discourses research has been undertaken extensively, the fact that women and young girls continue to be tormented is enough to prove that there is a conundrum in South Africa and possibly, elsewhere.

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