Abstract

This chapter centers on the activities of Gatas y Vatas, an annual experimental music festival in New Mexico that features solo performances by local practitioners. Initiated by young female Hispanic musicians as an attempt to counteract the white male dominance of local music scenes, Gatas y Vatas has become a catalyst of female empowerment where participants experience liberation while defying gender norms in an all-inclusive environment. Alonso-Minutti examines how the practices fostered in the festival are tied to a locally perceived freedom granted by Albuquerque’s complex cultural makeup. To the “Gatas,” the city is a place where “everything is possible.” She argues that this sentiment of endless potential drives performers to experiment with sound, noise, technology, and the environment and to engage in activities that foster a feminist ideal rooted in a Hispanic connection. The result is a community-oriented experimental atmosphere that has reached levels of inclusion and female equality rarely seen in experimental music scenes.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call