Abstract
By expanding on Hans-George Gadamer’s critique of contemporary formalist approaches to art, wherein the artist pursues an artwork with a “disinterested” self, this paper endeavors to underline the transformative aspect of aesthetic experience. Even though it acknowledges the epistemological difference between Gadamer’s phenomenological approach and the Arab-Islamic one, particularly Ibn Sīnā’s treatment of arts and aesthetics, it nonetheless discovers some subtle similarities between the two. Consequently, it articulates artistic endeavor as an act of askesis (spiritual exercise) aimed at theosis (becoming like God).
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