Front and Back Covers, Volume 35, Number 1. February 2019

Abstract

Front and back cover caption, volume 35 issue 1Front coverFASCISM ON THE RISE?This picture features activists of the Polish National Radical Camp (ONR) who are about to start a celebratory march commemorating the anniversary of the movement's establishment back in 1934. The march's point of departure was the premises of the Gdansk shipyard – a place that became well known in 1980s due to a series of anti‐regime protests by ‘Solidarity’ movement activists. The slogan above the gate reads: ‘Thank you for good work!’ (employees would see this slogan when leaving the premises, after their shift). The choice of place was far from coincidental.Polish mass media were quick to describe the anniversary as an attack on the memory of the Solidarity movement which, they emphasized, was the antithesis of fascism and which fought for liberalism. They also claimed that the march was a ‘reminiscence’ of September 1939 when Nazi Germany took over the Free City of Danzig (Gdansk).It is clear that the event was meant as a provocation and the organizers did not shy away from admitting it. Yet in his commemorative speech, the ONR leader referred explicitly to the events of 1980, reminding the gathered crowd that Solidarity fought for better work conditions, dignity and basic rights, and linked those arguments to a depiction of work conditions in the (present‐day) neo‐liberal system. He also emphasized that Solidarity brought about a revolution and that such a revolution is needed again today.His speech exemplifies well, a growing tendency for far‐right movements to draw explicitly on socialist ideas and return to the idea of ‘the third way’, observable in Poland and beyond. The event was attended by activists from abroad, among them Forza Nuova activists and Polish economic migrants living in the UK and Ireland.In this issue, Agnieszka Pasieka considers what it is like to study the ‘unlikeable’ other. Several other contributions also discuss how anthropology might position itself in relation to the trend towards extreme right‐wing politics worldwide.Back coverFIRE AT THE NATIONAL MUSEUM, BRAZILOil painting, undated and without the artist's signature, which used to belong to the National Museum, Brazil, until the recent fire destroyed it. Depicted is a Bororo boy, baptized as Guido, who was adopted at approximately seven years of age by D. Maria do Carmo de Mello Rego, a lady of fine education, wife of the governor of Mato Grosso.Without children and of relatively advanced age, the couple treated Guido as if he were their own son. D. Maria do Carmo made great efforts to win his affection, teaching him to read and introducing him to the arts. For four years, from 1888 to 1892, Guido lived with her and her husband, first in Mato Grosso, then in the city of Rio de Janeiro until he died on a nearby farm due to natural causes, possibly pneumonia.Donated by D. Maria do Carmo before his death, this painting became part of one of the oldest National Museum collections composed of about 400 Indian artefacts she had gathered from Mato Grosso (the majority of these of Bororo origin), including an album with drawings and watercolours made by Guido and carefully arranged by her.Not only this painting, but the entire collection of ethnographic pieces and the album of drawings and watercolours were unfortunately destroyed by the fire.In this issue, Gemma Aellah and Jessica Turner interview João Pacheco de Oliveira, professor of anthropology and curator of ethnographic collections at the National Museum, Rio de Janeiro, Brazil.