Abstract
This article examines how the memory of one of the largest sociopolitical crises in the history of Russia (called the Time of Troubles) modified over 400 years. This process is considered as an example of rethinking the traumatic experience of the past and forming a national-patriotic myth on its basis. Several stages of the evolution of the memory of the Time of Troubles are issued: the XVII century – when the interpretation of these events was mainly religious; the XVIII century – when heroic and patriotic ideas about the time of troubles were formed in accordance with the ideals of classicism; the XIX century – the time of the development of the monarchical myth of the Romanov dynasty coming to power; the XX century – when the peasant war and the struggle against foreign intervention became the main dominant in the understanding of events; Modern Russia and the annual celebration of the National Unity Day – a public holiday established in 2005 in memory of the liberation of Moscow in 1612, the main idea of which is the unification of all peoples on the territory of the Russian Federation. It is noted that for centuries in the cultural memory of Russian society, two layers of ideas about the Time of Troubles coexisted. One of them – negative – was the memory of social upheavals and civil war, the other – positive – the memory of victory and overcoming the Troubles, evoking a sense of national pride and hopes for the future.
Highlights
This article examines how the memory of one of the largest sociopolitical crises in the history of Russia modified over 400 years
Despite the fact that the vast majority of studies of memory and cultural traumas are mainly focused on rethinking the events of the XX century in the present, the study of constructing memory about the Time of Troubles in Russia can be inscribed in this methodological context
Attention to Minin and Pozharsky in the visual arts played a decisive role in the formation of their images as dominant in the memory of the Time of Troubles
Summary
This article examines how the memory of one of the largest sociopolitical crises in the history of Russia (called the Time of Troubles) modified over 400 years. Attention to Minin and Pozharsky in the visual arts played a decisive role in the formation of their images as dominant in the memory of the Time of Troubles.
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