Abstract
ABSTRACT This study explores the intersection between graphic narratives and the representation of Quilombola and Indigenous ancestral cultures in Brazil, through the analysis of the graphic novel Urubu-Rei (King Vulture). Employing the traditional technique of woodcut, this work highlights the singularity of the graphic novel in preserving and celebrating Brazilian cultural traditions. At the same time, it discusses how the work transcends the conventional boundaries of comics, acting as an educational tool and promoting intercultural dialogue. The analysis is based on a comprehensive bibliographic review and a critical-dialectical approach that reveals the complexities of representing ancestral worldviews in a contemporary visual language. The study also examines the challenges faced in translating cultural traditions into graphic narratives, addressing issues of authenticity, simplification, and ethical responsibility. Finally, the article proposes future directions for research and practice, emphasizing the potential of graphic narratives as vehicles for education, cultural appreciation, and the inclusion of marginalized voices. Urubu-Rei thus marks a milestone in the exploration of new frontiers in graphic narratives, promoting a deep reflection on identity, miscegenation, and cultural belonging.
Published Version
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