From Private Story to Public History: Irene Rathbone Revises the War in the Thirties

Abstract

This essay examines Irene Rathbone's wartime diary and her overlooked novel We That Were Young (1932) as key texts for our understanding of women's participation in World War I and of their contribution to that conflict's literary canon. Rathbone's novel is a feminist revision of war narratives foregrounding an ambivalent attitude toward the war and the changes it brought within English society. Rathbone both rewrites a typically male war history by featuring a marginal heroine in a liminal position between safety and danger at work near the front, and she also revises her personal wartime writings into a public work of testimony. My essay ultimately argues that Rathbone's formally traditional texts complicate and expand limited definitions of modernism as aesthetic experimentation and convey modern thematic concerns such as changing gender roles and the relativity of time during and after the war.