Abstract
Until a few years ago London was open to the reproach that, whereas a hearing was readily given to every grade of German music, its acquaintance with French composers was limited to Gounod and Saint-Saëns. Since then much has happened, and every concert-goer has had an opportunity of hearing the works of the more prominent of our French contemporaries.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
