Abstract
The first part of this article, a consideration of a number of younger ‘post-spectralist’ French composers as llustrated by some of their recorded works (the recordings are detailed in an annexe to this part) appeared in Tempo 212. That part concluded with a discussion of Pascal Dusapin and his expressive programme ‘to draw a wracked lyricism from his material through sensuously tangible strategies of constraint. As we shall soon see, younger composers have been quick to take this up to their advantage …’)
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
