Abstract

Tonal aspects of 13th-century English polyphony cantilena and discant in 14th-century English polyphony the question of Perotin's Oeuvre and dates the medieval motet the medieval hocket in practice and theory the early motets of Philippe de Vitry English polyphony in the Morgan Library Manuscript consonance and rhythm in the organum of the 12th and 13th centuries sine littera and cum littera in medieval polyphony style and technique in datable polyphonic Notre-Dame conductus conductus and modal rhythm the earliest phases of measured polyphony rithmus additions and corrections.

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