Abstract

Frederick III of Aragon, King of Sicily (1296–1337). Frederick III of Aragon was the third king of the Aragonese dynasty on the throne of Sicily. He ruled from 1296 to 1337 and he was the only Aragonese king of Sicily who made a significant use of his image. In particular, we have four official (namely, commissioned directly by him or his entourage) representations of him: the royal seal, the billon silver denaro coin, the lost mosaic from the Church of Santa Maria della Valle (known as Badiazza) near Messina, and the mosaic in the Cathedral of Messina.

Highlights

  • We have four official representations: the royal seal, the billon silver denaro coin, the lost mosaic from the Church of Santa Maria della Valle near Messina, and the mosaic in the Cathedral of Messina

  • Diplomatic research attests to the use of a seal to corroborate the documents issued by Frederick III’s royal chancellery (for example, the catalogue for the exhibition on the Messina documents of the Fundación Casa Ducal de Medinaceli of Seville quotes a document from 12 July 1332 with a hanging seal [20] (p. 183, document no. 77)) and, in a paper from 1997, Maria Grazia Fallico listed some diplomas from this king bearing a seal [21]

  • This image of Frederick III is in the presbytery of the church and it is close to the main altar.InLike the of the

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Summary

Introduction

Publisher’s Note: MDPI stays neutral with regard to jurisdictional claims in published maps and institutional affiliations. Notwithstanding he already ruled as vicar of his brother James II from 1291, only in 11 December 1295 was Frederick III of Aragon elected King of Sicily by the Sicilian. We have four official (namely, commissioned directly by him or his entourage) representations: the royal seal, the billon silver denaro coin, the lost mosaic from the Church of Santa Maria della Valle (known as Badiazza) near Messina, and the mosaic in the Cathedral of Messina (about the identification of Frederick III’s official image, see [19])

The Royal Seal
Seal as as
TheThe
The Mosaic of the Cathedral of Messina
Conclusions
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