Abstract
ABSTRACTIn the context of increasingly restrictive immigration policies and robust immigrant rights movements, early twenty-first century France witnessed theatre performances featuring the narratives of undocumented immigrants, refugees and asylum seekers. These performances joined a broader non-governmental turn to the documentation of migrant narratives and involved collaboration between theatre practitioners and aid workers. Focusing on these theatrical collaborations, this essay considers the role of personal narrative in undocumented immigration activism in France.
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