Abstract

We begin with the observation that some Korean elementary school children in English class, confined to a single situation and even a single language exponent in a role play, appear to produce far more coherent dialogue than the previous week when they were allowed completely free choices in language. We note that at the same time as their dialogue becomes longer, their sentences become shorter (tall and thinner on the printed page), and we suggest that the grammatical complexity is consciously unpacked as discourse complexity. When we turn to a large corpus of longitudinal and cross sectional data, we see, however, that “thinner” dialogue with short utterances is not always more creative, at least not grammatically. We see that the children are deliberately and consciously choosing more elliptical and less creative expressions when they speak. We generalize from this data to show that the problem is no mere artifact of the data sample. We theorize from this generalization to show that the development of the child’s free will in syntax is related to a long chain of such constraints, leading from instincts to habits to intelligent choices oriented toward the immediate environment to acts of free will which are genuinely voluntary and which admit no sovereign but the child’s developing self. Indeed, we shall argue that the exercise of this sovereignty is precisely how the child develops a self in the first place.

Highlights

  • We begin with the observation that some Korean elementary school children in English class, confined to a single situation and even a single language exponent in a role play, appear to produce far more coherent dialogue than the previous week when they were allowed completely free choices in language

  • We begin with two short extracts that show the children using “free choices” in improvising a dialogue and “forced choices” where they are constrained to use a single setting, a single set of characters, and even a single communicative function

  • Using a t-test, we found that the textbook dialogues tended to have longer utterances

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Summary

A Paradox

Even if it were not very familiar to teachers already, is stated in numbers. We shall explain this paradox and consider some solutions to this problem of disappearing syntax. We begin with two short extracts that show the children using “free choices” in improvising a dialogue and “forced choices” where they are constrained to use a single setting, a single set of characters, and even a single communicative function. In the former extract, the children do little but remember, and remember little but titles of lessons and other fixed phrases from their textbook. As we shall see, the solution to the problem of disappearing syntax cannot be more freedom of choice—there must, instead, be a concerted effort to seize power over the very system of constraint

A One-Week Miracle?
Findings
Editor’s Note
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