Abstract
This study examines the representation of Igbo cultural widowhood practices in Anambra State through the lens of the Nollywood film "Glory of a Widow". Employing structural functionalist theory and feminist film theory, this qualitative research utilized focus group discussions to gather data from audiences. Findings reveal that Igbo cultural practices surrounding widowhood continue to be prevalent in contemporary society, perpetuating gender inequality and discrimination. The study identifies the need for amendments of existing laws and policies to protect the rights of widows. The film's portrayal of these practices sparks crucial conversations about cultural preservation, gender justice, and the role of the media in shaping societal attitudes. This research contributes to a deeper understanding of the complex intersections between culture, gender, and media representation in Igbo society, highlighting the potential for film to inspire social change and promote gender equality.
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