FIGURATIVE AND LOGICAL COMPONENTS OF MUSICAL SEMANTICS AS FACTORS OF PIANO PERFORMANCE INTERPRETATION

Abstract

The reproduction of a musical work by a performer forms a special sphere of his creative being transformative, perceived by him on a sensual level. The personified functions of performing interpretation come to the fore and acquire their own special meanings: suggestion, evaluation of the “event”, imitation, imitation, contemplation, “sensual deception”, actualization of the musical text into an aesthetic ideal for its subsequent reproduction. The artistic process of performing interpretation is considered in the article as its emotional and value meaning. This problematic area of performance interpretation intersects with artistic and aesthetic knowledge, the specificity of which lies in the emotional and figurative color of reality. It is shown that the piano-performing interpretation represents the universal nature of the pianist's activity. Its core is the search for the meaning of the composition, which involves not only the individual decoding of the signs and symbols embedded in it, but also their integration into a holistic concept. The object of this study is the musical language of the professional academic tradition as a system of means in a semantic projection. The subject of study is semantic clichés, formulas of meanings that have developed in musical practice as a reflection of cultural conventions, traditions and metamorphoses in their use.