Abstract

Representations and discourses about migrants have excluded the narratives of African migrant mothers. Often, discussions about these group of women tend to rely on stereotypes, which consequently trivializes the complexities and nuances that characterize the lives of these women. Adopting an intersectional approach, this article centers the African immigrant mother by exploring the narratives of African migrant mothers in two films. In this article, I explore how institutional systems combine to oppress African migrant mothers in their host nations. While And Breathe Normally (2018) challenges the notion of female passivity—which shapes numerous mainstream Hollywood films—Anchor Baby (2010) perpetuates some patriarchal norms associated with motherhood. However, both films demonstrate the multiple layers of oppression that African migrant mothers encounter in the host country. Through the individual narratives of all the female characters (black and white) in both films, we can see each one of them has personal battles imposed on them by their societies, thereby highlighting how interconnected the lives of women are.

Full Text
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