Abstract
This article examines texts written by Afrodescendant women published in the collective anthologies Djidiu: A herança do ouvido (2017) and Volta para a tua terra (2021, 2022) to argue that (1) when struggling against «displacement» as a collective experience, writing partakes a transnational process of reparation to decolonize persistent forms of coloniality of power and being in the Luso-Afro-Brazilian space (Mignolo, 2017); (2) they inscribe their right to subjectivity, actively rewriting narratives on (non-)belonging to a society that has underestimated its inherent plurality.
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