Abstract
An analysis of the documentaries made for the magazine programme Imágenes in the historical archives of the NO-DO newsreels, used by the Franco dictatorship as an instrument of propaganda, can shed light on some important aspects of Spain’s recent history. The aim of this article is to demonstrate how these documentaries, which exhibit certain formal features suited to the spectator of their time, make fashion an effective instrument for conveying ideas of gender differences and female servility, self-denial and submission in a patriarchal regime.
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