Abstract
The genre of new musical/instrumental theater represents a new and complex endeavor in the field of art. Its complexity includes various artistic aspects such as acting, music, dance, performance, stage design, etc. The specificity of the plot of Fellini's film Orchestra Rehearsal (Prova d’Orchestra) provides a possibility to be interpreted from the perspective of the new musical theater. Different discourses that have permeated the film (e.g. verbal, musical, visual discourse, physical movements, and body language) represent the basic idea of the new genre. In the Orchestra Rehearsal, Federico Fellini managed to merge together different discourses of artistic expression in an extraordinary way, and thus bring his film closer to the genre of new musical theater.
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