Abstract
Recent scholarship on confessional poetry has focussed for the most part on either the relationship of this work to feminine experience and questions of gender and sexuality for women on the one hand or the problems involved in assessing the poetry’s artistic merit on the other. This essay argues that Robert Lowell and W.D. Snodgrass can be read for the light their work casts on one facet of masculine experience: fatherhood. Setting poems by each poet which are either about or addressed to their daughters in the context of both earlier poetry of a similar kind and contemporary theories of fatherhood, the essay argues that a common feature in both poets’ work—loneliness—shows something worth noticing about Cold War masculinity and illustrates the value of reading autobiographical poetry without foregrounding questions of artistic merit.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.