Abstract
I reflect upon working on diverse fashion(-related) cases in the context of the Amsterdam School for Cultural Analysis. Drawing on Mieke Bal’s understanding of cultural analysis (characterized by interdisciplinarity, among others), I refer to some fashion and material objects I have looked at (e.g. a contemporary video by a Dutch designer, a wardrobe-suitcase of 1919 or the pandemic mask), while insisting on considering them as theoretical objects through the practice of clothes-reading. Rather than establishing programmatic grids to study fashion, I share my observations and interrogations on working with and through fashion. What follows resembles an ongoing inventory of my fashion interests, aspirations and inspirations as well as choices and doubts that altogether echo the performative gesture of research.
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