Abstract
Abstract Chinese-Western comparative literature is a difficult area of study that requires a high level of competence in languages, cultures, and histories across the huge differences between China and the West. It also has the remarkable potential to make contributions to comparative literature and comparative poetics. This essay discusses the exemplary works of Zhu Guangqian and Qian Zhongshu as our predecessors and continues to explore the different relationship between parallelism and end rhyme as an example of making contributions to comparative poetics from the perspective of Chinese literature and criticism.
Full Text
Published Version
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call