Abstract
F. Schubert’s last Piano Sonatas in the aspect of his song-like thinking
Highlights
Close relationships to a song is one of the constants of F
Schubert on two main levels: intonationally-thematical and structural. This raised a question about premises, which had created conducive conditions for integration of compositional principles, characteristic for songs and instrumental works by F
This question is regarded on the example of three last Piano Sonatas by F
Summary
Close relationships to a song is one of the constants of F. Schubert’s individual thinking.As it embraces all the genre spheres in composer’s heritage, it acquires a universal status, resulting in interchange of author’s findings in chamber-vocal and instrumental works, piano ones. Schubert on two main levels: intonationally-thematical and structural. This raised a question about premises, which had created conducive conditions for integration of compositional principles, characteristic for songs and instrumental works by F. This question is regarded on the example of three last Piano Sonatas by F. Having been written in proximity to composer’s death, they demonstrated unity of composer’s style, achieved by him by integrating his innovations in song and instrumental genres into a unity of the highest degree
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