Abstract
In the article, the author considers brain plasticity as the motivation of a modern writer for extreme sports. The conceptual component of terminological tools is analyzed on the works of K. Malabu, V. Divya, M. Ball in their intersection with other scientists and in their reflection on specific artistic texts of the North Caucasian prose collection. The writers in question today reproduce the pictures of the extreme inherent in their contemporary society that encourage plasticity.
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