Abstract
ABSTRACT The synthesis of pagan and Christian cosmologies that informs medieval Irish letters incorporates prestigious and extraordinary weapons, and other such objects into an all-compassing Nature, in which they are preferentially associated with the themes of heroic ethics, legitimate and just royal rule, and the removal of errant rulers through a cosmic deployment of the “instruments of their fate.” Yet only rhetorical effects of literary depiction raise such weapons to a status approximating the preternatural.
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