Abstract
ABSTRACT This article explores the links between Kurdish oral and written literary traditions in Selahattin Demirtaş’s literary works, arguing that they contribute to the practices of heritage-making and collective memory through their use of distinctive sociocultural and literary motifs of the oppressed societies in Turkey while also departing from these practices.
Full Text
Sign-in/Register to access full text options
Published version (Free)
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have