Abstract
This paper delves into the comparison of following compositions — Schoenberg’s Piano Suite, Op.25 and Dallapiccola’s Quaderno Musicale di Annalibera. The objective of this paper is to examine and provide answers to the following three enquiries: 1. What are the similarities beetween Piano Suite, Op.25 and Quaderno Musicale di Annalibera? 2. In what ways do these two compositional works, both utilising the same serial technique, exhibit differences? 3. Following the analysis, what advantages may be derived for the teaching process and performance? This study aims to enhance the larger comprehension of serial piano compositions and their contextual significance within the realm of serial technique by conducting a thorough examination of Piano Suite, Op.25 and Quaderno Musicale di Annalibera. By unraveling their similarities, differences, and educational implications, this research endeavors to provide valuable insight for performers, educators, and enthusiasts passionate about exploring the rich world of contemporary classical music.
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