Abstract
This paper aims to investigate the depiction of Irish rural life in selected poems by W. B. Yeats and Patrick Kavanagh. Modern Irish poetry presents two contrasting perspectives on the portrayal of rural Ireland. Some poets like W. B. Yeats, Derek Mahon, and Seamus Heaney, along with other leading Irish poets, romanticize the Irish countryside, portraying it as charming, magnificent, and idyllic. These poets prefer to live in tune with nature, tempted by its pastoral landscape and inspired by its idealized tranquility. In contrast, other modern Irish poets, including Patrick Kavanagh, Eavan Boland, Michael Hartnett, and many others, reject this idealized vision of the countryside. Instead, they offer a stark portrayal of rural Ireland, exposing its harsh realities and revealing the poverty, struggles, and hardships encountered by Irish peasants. This article, accordingly, seeks to explore these two different literary traditions within modern Irish poetry, with a focus on W. B. Yeats and Patrick Kavanagh as representatives of opposing attitudes. Specifically, “The Lake Isle of Innisfree” by W. B. Yeats and The Great Hunger by Patrick Kavanagh serve as the concentration for this study. In reaching its conclusions, the article finally reveals the divergent perspectives portrayed within the two poems, highlighting how Yeats and Kavanagh employ distinct poetic techniques to present their attitudes, sharply contrasting each other.
Published Version
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