Abstract
Among the directors of the rise of movies in Taiwan in the 1990s,undoubtedly,Tsai Ming-liang is one of the most artistic and personalized directors.Tsai focuses on the present and shows an indifferent attitude towards the future.This kind of indifferent attitude,which has been continued in the lens language,makes the full-length shots have an indifferent spectator perspective,depicting a post-modern industrial society which have a defamiliarization effect and full of dreamlike color,and setting off people’s marginality and sense of unbelonging.The figure have no goals and ideals in the shot.Tsai focuses on young people in modern society,describing the muddleheaded state of life to the full,conveying the disillusionment spirit of ideal home.
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