Abstract
Susannah Ramsay’s Experiencing the Filmpoem: A Film-Phenomenological Inquiry presents five short experimental films which evoke multi-sensorial experiences for the viewer through visceral combinations of lens manipulation, camera movement and rhythmic editing. For Ramsay, filmpoems are a synthesis of these experimental techniques with poetic narration and soundscapes which constitute a deeply personal, expressive form of filmmaking. Her written statement contextualises this practice with historical insights and outlines her exhibition strategies for the work which aim to produce a reciprocal relationship between the artwork, the screening space and the viewer to provide an embodied experience.
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