Egypt's Celluloid Closet

Abstract

This practice research project argues that the representation of gay men in Egyptian cinema not only has been historically problematic but rather regressed considerably over the years. While critically reflecting on twenty feature films as case studies, I demonstrate that depictions of gay characters in Egyptian cinema have overwhelmingly been limited to crude and cruel stereotypes. These stereotypes are often associated with mental illness, being sexually abused at a young age, being influenced heavily by ‘Western decadence’ or a result of lack of self-control or willpower. Furthermore, the documentary argues that censorship plays an important but not a major part in depicting homosexual characters in a more realistic and less stereotypical manner. The filmmakers’ interpretations and cinematic ploys also play a crucial part in the way these characters are portrayed. In interviewing experts, as well as filmmakers of Egyptian cinema, my work reveals how the majority of filmmakers remain complicit with the expectations of Egyptian audiences and society. In addition, in adaptations, particularly films based on novels, filmmakers sometimes intentionally transform homosexual characters by portraying them as ‘deviant’.