Abstract
AbstractAs the 1970s faded, Lebbeus Woods set about memorialising the great theoretical physicist Albert Einstein and his theory of relativity. A cosmic scale and an anti‐gravity mode of this visual and poetic remembrance is embodied in his Einstein Tomb project. Joseph Becker, Associate Curator of Architecture and Design at the San Francisco Museum of Modern Art, articulates its evolution, marrying Woods's cyclic epistemology with the quadripartite mandala form.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
