Abstract
AbstractAs the 1970s faded, Lebbeus Woods set about memorialising the great theoretical physicist Albert Einstein and his theory of relativity. A cosmic scale and an anti‐gravity mode of this visual and poetic remembrance is embodied in his Einstein Tomb project. Joseph Becker, Associate Curator of Architecture and Design at the San Francisco Museum of Modern Art, articulates its evolution, marrying Woods's cyclic epistemology with the quadripartite mandala form.
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