Abstract
In this article, I argue that Louis Riel is a necessary invention for the production of Canadian sovereignty. The argument builds on the work of Giorgio Agamben. I see Riel as a Canadian version of homo sacer, “who may be killed but not sacrificed,” and thereby serves as the exception that proves the rule of Canadian sovereignty. I carry out this argument in three stages, focusing first on Riel’s exile in 1870 after the Red River Rebellion. I then bring Agamben’s insights into an examination of the tensions between French and English Canada over Riel’s execution in 1885. Finally, I look at the contemporary exaltation of Riel, focusing on the two statues that have occupied the legislative grounds in Winnipeg, which, when considered in tandem, serve as a metaphor for the relationship between liberal and colonial dynamics in Canada political history. The liberal–colonial relationship is key to Riel’s ambivalent standing in contemporary Canadian political life.
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