Abstract
Each March in Orihuela in the province of Valencia, Spain, there is a festival of mural painting in honour of local poet Miguel Hernández. For long the poet, who died in a fascist jail in 1942, had been publicly unacknowledged, but now his life, his work and his political involvement as a Republican political activist are openly displayed. How Hernández is remembered provides a powerful example of the struggles between memory and forgetting in post-Franco Spain. Faced with the contradiction of a Pact of Forgetting in 1977 and a Historical Memory Law in 2007, memory in Spain has to be carefully exhumed from under layers of fascist policies and culture.
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