Abstract
The oldest arguments justifying formal analysis of literature, of course, grow out of a longer tradition in aesthetics, one having its roots in the development of a theory of the aesthetic in the eighteenth century. Ultimately, to emphasize the content over the form in literary interpretation is to emphasize forms of aesthetic value other than the beautiful and the sublime: to read for the content, and particularly for the intellectual content, is to value a book because it is deep, thought-provoking, and profound. Yet far from ignoring a text’s aesthetic nature, in fact these latter ways of reading offer the possibility for a renewed justification for literary aesthetics, one especially salient given the deep skepticism that formalist accounts of aesthetic value evoke.
Published Version
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