Evangelical ‘Enterluders’: Patronage and Playing in Reformation England

Abstract

This paper underscores the propagandist aspects of Protestant players by examining the broader patterns emerging from the University of Toronto's Records of Early English Drama project (REED). While previous scholarship has noted the wealth of anecdotal evidence pointing to drama as a mechanism for religious change, evidence emerging from the REED material suggests that the use of interludes by the evangelical establishment was more extensive and programmatic than previously thought. A survey of every patron of drama in the Reformation period indicates that those most active in promoting the evangelical cause also sponsored the most active theatre companies. The touring activities of evangelical companies mirrored the progress of the Reformation in England. During periods of Reformation advance, travelling players flourished; while payments to companies all but disappeared during Mary Tudor's reign. The content of drama remained largely religious for most of the period, and there is little reason to doubt the use of printed polemical plays by a whole host of Protestant players to propagate the new gospel.