Abstract
In this text we will discuss the construction of a new aesthetic discourse on drug violence through audiovisuals in Latin America. Such a discourse is elaborated among different arts: literature or popular music ( narcocorridos ). In this article we will focus on the interpretation of historical events in the audiovisual products such as documentary, fiction and series. Specifically, we will analyze the fiction film Loving Pablo by Leon de Aranoa (2017), the documentary Ni vivos ni muertos by Mastrogiovanni (2014) and the series Narcos produced by Netflix (Padilha, 2015).
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