Abstract

By analyzing poems by Paulo Leminski, Ana Cristina Cesar and Veronica Stigger, this essay puts forward a notion of the theater of poetry aiming at clarifying a paradoxal and multiple status of the space of the poem, seen through de lenses of Brazilian poetry produced from de 1970s on. For doing so, it approaches a few contemporary modes of reception of a theoretical and practical antitheatrical field inherited from a modern context, where poetry, theater and visual arts hold converge by means of plural mises-en-scène of the specifity problem

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