Abstract
This paper is a contribution to the discussions surrounding the attribution of La conquista de Jerusalén por Godofre de Bullón. My suggestion is that those scholars who have attributed this drama to Cervantes would do well in exploring not only circumstantial, structural, linguistic, and stylistic characteristics of the play, but also the work’s potential adhesion to epistemological and ethical principles that can be connected with Cervantine humanism. While my approach is not exclusively or even primarily concerned with the kind of considerations that would establish Cervantes’s authorship beyond reasonable doubt, I do indeed find significant thematical, situational, ethical, and ideological coincidences between the anonymous drama in question and a number of Cervantine plays dealing with Mediterranean frontier spaces and hybrid religious and cultural identities.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Cervantes: Bulletin of the Cervantes Society of America
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
