Abstract
Abstract Drawing Down the Moon is an outstanding contribution to the contemporary debate about ritual practices and magic. My review focuses on two intersecting points, the definition of magic as discourse in Chapter One and the analysis of “love charms and erotic curses” in Chapter Four. I begin with the second issue, the category love magic, and will return to the first, magic as discourse, at the end. I have a fairly narrow point to make about the category love magic: the modern classification incorporates but does not sufficiently analyze ancient notions of agency. On the issue of definitions of magic, Edmonds’s careful study reveals the problems of classifying rituals based on a narrow notion of discourse.
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