Abstract
Eric Zolov has written an analysis of the reception of metropolitan rock culture within the context of the hardening of the PRI's arterial control of Mexican society. At one level, Zolov has traced the reception of rock culture in Mexico from the 1950s to its near demise in the 1970s. He explains the complex, evolving, and at times, contradictory social base of the musical revolution and the reception by young people—all under the gaze of the nervous state.
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