Abstract

Maxwell Taylor’s experience in the Cold War highlights four interrelated themes that have defined the US national security state and also shed light on the nature of strategy. First, the warfare state will guide decision-makers to seek military solutions to political problems. Sometimes that is appropriate, but at other times, as in Vietnam, it can drown out other approaches. Second, strategy and bureaucracy often work at cross-purposes. Again, decisions leading to the Vietnam War offer an illustration: instead of aligning means, ends, and political objectives, US strategy suffered from the collision of politics and policy with operational art and military planning. The various bureaucracies, though linked in the National Security Council, sought separate solutions. Third, strategy in general has increasingly become the fault line between operational art and politics and policy. It should be the connective tissue. Fourth, powerful and influential individuals served as contingent actors in the historical drama, but their options were limited by Cold War structures, ranging from bureaucracies that channeled possible actions to mind-sets that made it difficult not to view the problem at hand through the lens of the wider conflict and recent experiences. As they say in military and policy circles, if all you have is a hammer, everything looks like a nail. But what if you had several different hammers all trying to strike the nail at once?...

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