Abstract
The goal of this paper is to understand how some changes in the Brazilian classical music field since the late 1970s happened, through the analysis of the trajectory of two important Brazilian composers: Gilberto Mendes and Willy Correa de Oliveira. I noticed that a pulverization of aesthetical fights and movements not occurred only in Brazil, but also in the Euroamerican context in that moment. Those alterations were connected to political and aesthetical perceptions. Besides that, the discourse in favor of an approximation of popular artistic creation was present in the creative process of these two composers, in a movement characterized by the musical field as “aesthetical overture” or “post-modernism musical”. Therefore, I seek to demonstrate the process that led to the dissolution of some practices and discourses of important social actors of avant-gard music in the period between 1960 and 1980 in Brazil.Keywords: music, avant-gard, modernity.
Highlights
The goal of this paper is to understand how some changes in the Brazilian classical music field since the late 1970s happened, through the analysis of the trajectory of two important Brazilian composers: Gilberto Mendes and Willy Corrêa de Oliveira
Para fins de nossa análise, pretendemos retomar como se deu esse processo de reconfiguração do campo da música erudita brasileira por meio da análise da trajetória artística de dois compositores: Gilberto Mendes e Willy Corrêa de Oliveira
Em 1975, 21 anos mais tarde, era criada a Escola de Comunicação e Artes da Universidade de São Paulo, lugar que abrigou tanto Gilberto Mendes como Willy Corrêa de Oliveira, além de demais nomes fundamentais para o desenvolvimento da música nova no país, em seu quadro docente
Summary
The goal of this paper is to understand how some changes in the Brazilian classical music field since the late 1970s happened, through the analysis of the trajectory of two important Brazilian composers: Gilberto Mendes and Willy Corrêa de Oliveira. Pretendo discutir, por meio da noção de vanguarda, como ocorreram mudanças significativas nas práticas e nos discursos constituintes das trajetórias de dois músicos de renome no campo da música brasileira erudita: Gilberto Mendes (1922-2016) e Willy Corrêa de Oliveira (1936) a partir do final dos anos 1970.
Sign-in/Register to view highlights & summary Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
